Don’t you just hate
feeling like a complete dolt? You know, where you go listen to live music on a
whim and two songs in you find yourself wondering, “How in the hell did I not
even know about this person? Have I been living under a large stone for the
past decade?”
Such was the case last
Wednesday night when the lovely Tama and I motored up to Felton to a music bar
called Don Quixote’s. I had seen an ad in the Weekly about a woman named Muriel
Anderson and I was intrigued mostly because it said she plays the harp
guitar. If you are unfamiliar with this
instrument then close your eyes and imagine a regular old steel string six
string guitar. Got it? Good. Now imagine that someone has nailed a dulcimer to
the top of it and strung that with bass guitar strings… no doubt simpler to
envision than to play. The one she
played (her traveling one…) had a total of eleven strings, but some run to a
couple dozen or more. It was popular in
the United
States
during the first decade of the 20th Century and all the big names
made them for a while.
Not only is she a stellar
guitar player (in 1989 she was the first woman to win the National
Fingerpicking Guitar Championship…) with digits like greased lightning, she is
all over the place stylistically. I
figure she must have paid more for her guitar than I did for mine because hers
came with a whole lot more notes inside just dyin’ to get out.
She opened with some space
age stuff she wrote and moved directly into a Greek food inspired instrumental
in 13/8 time. A traditional piece for the koto, adapted to the guitar for her upcoming Japan tour and a piece she "co-wrote" with Beethoven. Then it was off to Ireland and then a lullaby from the CD she wrote and
recorded as a present to a good friend’s newborn. Her grandfather was a saxophone player in
John Phillip Sousa’s band so, of course, she had to play Sousa’s Liberty Bell
March. Then a tasty mélange of flamenco tunes on a spanish guitar, a passel of
fiddle tunes, the 1906 hit Nola, several nice pieces she learned sitting around
Chet Atkins kitchen and a medley of high speed banjo tunes that she adapted for
guitar in tribute to her friend and neighbor the late Earl Scruggs. Toss in some Beatles, Don McLean and Dire
Straits and, by golly, you got yourself and evening’s entertainment.
I had never even heard of
Muriel Anderson before, but you can bet I won’t forget her any time soon…